Agency increases both control and concern for events, making me care about relationships, feel stressed when choosing sides, and want to preserve happiness for everyone-particularly Clementine. For the most part, however, choices create sympathy through their emotional-rather than physical-attachment to Lee. Having your arm chopped off is obviously much easier from behind a computer screen than in real life. Walking Dead uses choice to establish empathy, making Lee and players face challenging decisions together.Ĭertainly, some moments are difficult to relate to. Thus I determined to never kill an unarmed human again, causing me to spare Andy, Lilly, and even the Stranger (who Clementine killed instead). After killing Danny and subsequently terrifying Clementine, I hated myself. In particular, I cared for Clementine and felt legitimate regret when disappointing her. In almost every situation, my emotions mirrored Lee’s. Players act through Lee and thus understand his conflicts and choices. Life, death, and concord become the player’s responsibility as they choose who to trust, who will trust them, and-most significantly-who remains in the group.īy centering story on relationships, the game wonderfully develops characters. In several instances, Lee must determine to defend or abandon characters. Dialogue influences group dynamics, often forcing Lee to choose a side and/or act as peacekeeper.
Gameplay relies less on a linear story and more on the variable relationships between characters. Options create a fascinating tension between Lee and his companions. Choice causes hesitation, compelling players to consider actions and outcomes as the timer ticks. Every conversation forces Lee, the player-controlled protagonist, to choose a line of dialogue which will (more or less) sway the game’s direction. Rather than following a linear storyline and defeating enemy after enemy, Walking Dead presents multiple options. Intensity comes not from defending yourself but from choosing one of two friends to save. (Nonetheless, these battles exemplify the struggle of combat through quick movements and the jamming of the Q key, keeping combat fairly difficult and engaging.) Gameplay instead focuses on choice. This gameplay often follows one path, making combat simple and straightforward. Walking Dead possesses a fair amount of combat, but these violent moments appear in linear, movie-like sequences. By focusing on choice, forgiveness, and relationships, the first season of Walking Dead creates a wonderfully personal, emotional, involving story unique to the individual player. Action instead stems from player-made choices.
Unlike most zombie games, Walking Dead involves no open-world combat and little shooting.
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Because I’ve never played an interactive graphic adventure game, The Walking Dead: A Telltale Game Series is unique to my gaming experience.
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